Joy of Weaving
Workshops -REpair
In der Ausstellung Joy of Weaving REpair (halle50) halten die KünstlerInnen des Projektes gemeinsam Workshops, in denen sie ihre in ihrer eigenen Kunst verwendeten Techniken zeigen.
In the exhibition Joy of Weaving REpair, the artists of the project hold joint workshops in which they demonstrate the techniques they use in their own art.
Zeiten: Samstag, 21.6. 10-13 Uhr, 14-17 Uhr
Sonntag, 22.6. 10-13 Uhr
The first set is Saturday, 10 a.m. to 1 p.m.: Ayaka and Chakkrit;
the second set is Saturday, 2 p.m. to 5 p.m.: Noboyuki and Susu;
and the third set is Sunday, 10 a.m. to 1 p.m.: Pattree and Doro.
Workshops are in English, except Doro's and Susu's.
Kosten für das Wochenende: 120 €
Jeder Slot 45 €, ermäßigt 35 €
Susu Gorth - Upcycling
We will create small wall objects, sculptures, and mobiles from found and used materials, giving them a second life. Participants can bring their own discarded objects and materials or use materials provided by the artist. Possible materials include old metal frames from lamps, bicycle baskets, etc.; packaging materials made of cardboard, Styrofoam, or plastic; and many other things that appeal to you and are interesting or fun. Rope and thread, as well as wire, cable ties, shrink tubing, and hot glue, will be used for connections and attachments.
Sugihara Nobuyuki - Spirit Masks
Driftwood and other natural materials are pasted together with animal glue, which melts and sticks with heat, to create masks of the spirits of the land. Participants can create masks of spirits or fairies, which are created when the forms of natural objects themselves call to each other, connecting and taking shape. It is to be a medium between nature and people, and the mask also becomes a medium by wearing it. If you have any natural materials you want to use, please bring them. If you wish, you can also participate in our performance on St. John's Day, June 24 with the masks you have made.
Chakkrit Chimnok - Transformern
Morphing Forms from Nature to Imagination
The workshop invites participants to explore their creative potential through natural materials found in their everyday surroundings. Whether it’s dried branches, fallen leaves, seeds, bark, or pieces of rattan, participants are encouraged to either bring their own materials from home or use those provided by the artist. Under the theme “morphing forms,” participants will learn hands-on techniques for crafting three-dimensional art pieces—such as tying, weaving, binding, interlocking, and gluing—by assembling various organic elements into imaginative creatures.
These creations are intended to reflect each participant’s personal creativity. More than just a tactile art-making session, the workshop offers a space for reflection on the concept of transformation in today’s world: environmental shifts, genetic modifications, and speculative life in a post-human era. The creatures born from this process serve as mirrors—reflecting our perspectives on nature, technology, and the future.
Ayaka Nakamura - Sashiko
Participants will experience traditional Japanese stitching, piecing together kimonos and old clothes and sewing together a piece of cloth that represents the spirit of the land. One of the sashiko patterns, "Asanoha" features a design inspired by the hemp leaf. This pattern symbolizes the strong, rapid growth of the hemp plant and is often used as a wish for the healthy and vigorous growth of childrens. In Japanese, running stitch is call to "Nami nui" The word "nami" not only means "normal" also carries the meaning of "wave". By learning the meanings and prayers embedded in traditional Sashiko patterns, we can move the needle and thread in harmony with the rhythmic waves created by our hands. If you have any spare clothing or cloth made of natural materials, please bring them. We will sew them together. The cloth we make in the workshop we will wear in a dance performance on St. John's Day, June 24.
Pattree Chimnok - From Traditional Thai Paper Cutting to Mixed Media Sculpture
This workshop aims to promote and preserve Thai local wisdom focusing on the traditional Thai art of paper cutting. This intricate craft, deeply rooted in Thai culture, has long been an essential part of local rituals and ceremonies, particularly in the northern regions of Thailand. One of the key cultural symbols recreated will be the Tung Sai Moo, a traditional decorative and devotional object for Thai New Year. It serves as a spiritual medium that connects humans with the sacred realm, symbolizing prosperity, protection, and reverence for the Buddha. Participants will learn the intricate techniques of traditional Thai paper cutting and reinterpret these methods in the creation of contemporary mixed media sculptures.
These artworks will incorporate natural materials such as leaves, wooden sticks, fabric scraps, and locally sourced recycled elements—bridging traditional aesthetics with modern forms of expression while maintaining cultural identity.
Doro Seror Lucky charms
We want to collect and sort found materials of both natural origin and relics of our civilization. It's helpful if each participant brings objects and small materials that mean something to them. The various materials will be connected using threads, cords, wires, and textile strips. Traditional braiding, knotting, and weaving methods will be used. The resulting objects are so-called lucky charms, closely linked to the history of their origin and that of their maker. They can be used as "fetishes" in rituals.